THE ALGORISTS
Vlatko Čerić, Evolution #5 of 10, 2005,
Charles Csuri. Random War, 1967
Mark Wilson *("4E92" plotter ink on paper)
Roman Verostko FLOWERS OF LEARNING
Night Traveling, Day Dreaming, while Mapping my Escapisms, Tracing Love
Vlatko Čerić, Evolution #5 of 10, 2005,
Charles Csuri. Random War, 1967
Mark Wilson *("4E92" plotter ink on paper)
Roman Verostko FLOWERS OF LEARNING
Empreinte d'une bibliothèque - Cliché coul. 1998-0001-CG
Claudio Parmiggiani, "Sans titre", 2004, Fumée et suie sur bois, 150x115 cm.
Claudio Parmiggiani, "Sans titre", 2004, Fumée et suie sur bois, 150x115 cm.
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A map that shows the locations of Vermeer paintings in Europe.
The Allegory of Painting. Vienna, Kunsthistorisches Museum120x100 1666-67
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Reese Inman map works, combines the hands-off exactitude of computer programming with the hands-on discipline of painting, merging an overall sense of technological precision with the inflections and irregularities of the human hand.
reese inman. map I 2006 acrylic on panel 24 x 24" via dataisnature
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Nous sommes eternels 2004 Dissected book in acrylic case 22 inches diameter x 4 inches depth Georgia Russell
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Chapter 44 or 78,774 times E is Justin Quinn's remarkable continuation of his transcription of Herman Melville's epic novel Moby Dick into the letter E. The body of work, a combination of graphite drawings on hemp and dry point intaglio prints repeatedly explore chapter 44 of the novel, called "the chart". In this chapter, Captain Ahab's monomaniac quest for the white whale is demonstrated nightly by his compulsive drawing and redrawing of nautical charts. By repeating a spiraling, swirling labyrinthian structure, Quinn places himself in the role of Ahab who continually redraws his charts which travel nowhere and only to go into themselves.
Moby Dick Chapter 54 or 6,618 times drypointDruck/print23 x 28 cmBlatt/paper76 x 56 cm
Chapter 44 or 9,200 times E" (2004), graphite on hemp paper, by Justin Quinn. Image courtesy of MM Galleries
via
designobserversaluting the
'copy goes here' movie by coudal partners.
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Robert Waters uses Piss, vinegar (Balsamic), and motor oil on paper in his previous series, 'Getting Back to Nature'. I find his latest "Man at Computer" series to be an exquisite minimalistic portraiture. via themorningnews
From the Man at Computer series, 2007Packing tape on paper
Getting Back to Nature II, 2005Piss, vinegar (Balsamic), and motor oil on paper
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and other map works by artist Joshua Neustein
Mondrian on Vietnam acrylic on paper glass
Australia with beach balls 1985 acrylic on paper
white africa 2000
Germany and poland, 1990. oil on paper
replaced earth, map 1982. earth, map, acrylic
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Labels: Art, LOVE, map and art
2132122006033-06-SLColored pencil on paper48" x 96"
Landing Strip2005015-05-SLColored pencil on paper19 1/4" x 25 3/4"
River Bank2005Colored pencil on paper10" x 12"
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Untitled #849 gelatin silver print3 x 4 1/2"
Untitled #845 gelatin silver print4 1/2 x 6 1/4"
Untitled #94 gelatin silver print3 1/4 x 4 3/4
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Chana Orloff, an Israeli artist, who lived and worked in Paris most of her life.
Nadine, 1921. Wood 112x27.7x24.7
Pregnant woman, 1916. Wood 57x25x19
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The works of Corey Arnold ecos in me the deep impression i've got from the works by artist Alec Soth, not only because of this one
Corey Arnold , Swans are Evil, 2003 16 x 20 Inches C-print
via easydreamer
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Lucy Puls. Potentia Massa (Websters International), 20029 3/4 x 9 x 10"unabridged dictionary, glue
Claudio Parmiggiani, L'Isola del Silenzio. installation took place at the Chapelle des Brigittines, Petite rue des Brigittines, 1000 Bruxelles
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Labels: Art, book, Books, Installation