MUSES

adriana varejaom Musesm oil on canvas, 140x160, 1997

Perfect from far away

Kathryn Rodrigues, Perfect from far away #1. 2004 8"x8" Gelatin plate Monoprint via radicalcartography

minimalist joyful pleasure-making

Swiss artist Zimoun via new art blog

Zimoun : Sound Sculptures & Installations Compilation Video V1.5 from ZIMOUN VIDEO ARCHIVE on Vimeo.

Twilight, Tides and Whales

Nathalie Miebach's work focuses on the intersection of art and science and the visual articulation of scientific observations. Miebach’s giant warped baskets pierced by wooden dowels and balls are visual metaphors for the scientific measurements and observations that the artist has accumulated from different sources, Using the methodologies and processes of both disciplines, she translate scientific data related to astronomy, ecology and meteorology woven sculptures.

Twilight, Tides and Whales -Cape Cod ( February/ March 2006) Reed, wood, data, 30”x18”x20”, 2006 http://www.nathaliemiebach.com/statement.html

Landscape

Albrecht Schnider

Landscape (sketch pencil on carton) 03, oil on hardboard 15 x 30 cm unframed 2003

'It is only through art that we can escape from ourselves and know how another person sees a universe which is not the same as our own and whose landscapes would otherwise have remained as unknown as any there may be on the moon'

Marcel Proust

via moonbeams8

the opposite of revenge

Keer Tanchak, the opposite of revenge 2009 oil on aluminum 15.5x 20.5 inches

Roof tops

Stan Douglas, Rooftops, Habana Vieja 2004 C-Print 125.1 x 142.2 cm

GEOLOGY OF THE MOON

Gems of pure beauty, found buried in a government website. and found at the radicalcartography web site

War Drawings

Kim Jones Untitled (Detail view), 1996-1997-1998-2008, Graphite on paper mounted on wood panel, 23.25 x 51.5 inches for Full image

http://www.pierogi2000.com/flatfile/joneskim.html

Dehisce Linomation Print - Hand Carved Animation

MORGAN O'HARA, Movement of the hands of Conductor Riccardo Chailly while conducting the Concert gebouw Orchestra in Mahler's Symphony No 4. first movement Carnegie Hall, New York City 10 February 2000

via radicalcartography

Lily

by jim dine

Lily Etching,Intaglio with Hand coloring on Silkscreen ,94 x 66 cm , 1998

Glitch

Daniel Zeller, Glitch, 2008, Ink, Acrylic on Paper, 19 x 24 inches

Empty Framed Louvre

Heide Fasnacht

Emak Bakia - Man Ray (1926)

via http://www.meganandmurray.com/page/3/

nothing is real, any how

Leidy Churchman, Roquefort 2008 5.5" x 5.5" x 5.5"Oil on rock

via lostateminor

Corpse Flower

Lloyd Durling Corpse Flower (Detail), 2006 Ballpoint pen, paper29 cm x 29 cm

A form of protection

Nadja Bournonville, A form of protection Leipzig 2008, Analogue C-Print, Ed. of 5 45 x 45 cm. via twocoatsofpaint

works by artist Bill Smith at the PPOW Gallery in New York City . The sculptures presented explore natural systems of order and how they can be translated three dimensionally. The works are meticulously created out of various industrial materials.

Simon Schubert's folds in sheets of paper.

via today and tomorrow and via kottke

Yohanan Simon

Yohanan Simon, "Kibutz Gan Shmuel and the Beach" pencils on paper 1941 will be auctioned at Shorashim Gallery

Experimental visual identity for the symphonic orchestra of Paris.

by Xavier Barrade via buro-gds

The Seduction

Iris van Dongen, The Seduction 2009 86.61 x 54.72 inches Pencil, pastel, pressed charcoal, gouache on paper

Blindfold

Rachel Thorlby's work explores the relationship between image and form. In her sculptures, she works with portrait and landscape genres, making reference to historical moments in the history of painting in her sculptures..

The Forest Queen

Lindsey Carr, The Forest Queen, Acrylic and oils on wood 2009. via bloodmilkjewelry

Red Arrow

Deborah Hamon's Paintings of young girls, copied into photographs. In her statement, the artist writes she is "interested in the interplay between reality and fiction".

Deborah Hamon, Red Arrow, acrylic on canvas 2008-9, 64x84 inchs

via Conscientious

Immanent Departure

Amanda Hughen, Immanent Departure acrylic paint, ink on wood panel 4 7 x 28.75 inches 2005

L'Enfer

Extrait 3 de L'Enfer d'Henri-Georges Clouzot, film inachevé dont il ne reste que ses essais Avec Romy Schneider et Serge Reggiani Sortie en salles le 23 septembre (docu-film de Serge Bromberg)

Component Painting Representing the Death of an Individual

by Eric Ayotte

Component Painting Representing the Death of an Individual , oil paint, spray paint on aluminum, 60x100 inches, 2007