Buddha fallen down

wang yuanling 

via
 

Between water

Michal Bar Or, Between water 2009, diptich, ink-jet print

Giant Explosion

by RYAN MCGINLEY

RYAN MCGINLEY, Alex (Giant Explosion), 2010

via Modern Art Obsession

Celestial Bodies

By Amon Yariv, 2011, color print, 180x120 cm, now showing at the

Rosenfeld gallery for contemporary art Tel Aviv

Decoy

Michal Rovner. Decoy #29, 1991 C print, 103X100 cm

Figure

Paul Sietsema, Figure 3, 2008, film still

Breakfast in bed

Nan Goldin , Breakfast in bed, Torre di Bellosguardo, Florence 1996, Cibachrome, 76 x 102 cm

Clothing Shop

Second-hand Clothing Shop Hand Colored Albumen Photo Image Size: 8 x 10 in Photographer: Unknown

The Japanese National Flag

Kikuji Kawada The Japanese National Flag, Shinjuku, Tokyo - from The Map Series 1959-65 532 x 412 mm Gelatin Silver Print 1989

WHO CAN YOU TRUST

WHO CAN YOU TRUST by John Divola, 1983

Generic Sculpture / E John Divola 1983-86

Gothic Duet, A Scream, Darkness and Light, Wax & Blood

Iwajla Klinke via P8 gallery Curator: Sagi Refael

Peacock

RYAN MCGINLEY, Peacock, 2010

Night

Sander Meisner, Nacht #13, 2010

via

Le Zèbre bleu

Explosion

This photography walks the thin line between concrete place and an one. to me it evoke some kind of enchanted, malicious (yet hypnotizing and beautiful) "fleur du mal"

Joschi Herczeg & Daniele Kaehr, Explosion 1, lambda print. 2009

via territoire des sens

After-The-Art-Fair

Jacob Krupnick

via coudal

Jellyfish

Jellyfish, boaz aharonovitch, digital c print, 120x120 cm, 2010

The Vultures

Khen Shish, The Vultures, Acrilic on canvas, 220x350 cm, 2010

photography credit: Oded Lebel

God & Man

by GARETH MCCONNELL

The series of work is called God & Man (after Leopold Godowsky & Leopold Mannes who invented Kodachrome in 1935). The original source material is taken off the internet as extremely low resolution digital files, printed at a high street lab then re-photographed / double exposed onto Kodachrome and then printed again on Cibachrome.

Dark Matter

By Boaz Aharonovitch

split

The Split sereis of photographs by Meirav Heiman was taken during 2003 at various places throughout Israel.

Wadi Khadav , 2003, C Print, 150X120 cm.

"Heiman's decision to thus poistion herself in relation to the landscape creates a basic situation where she dominates the environment through the presence of her body, through her pose, and through the foreign colorfulness that she brings with her. But at the same time, the specific pose she has chosen places her in the landscape horizontally, spread out, present but also stuck. As it is not a simple position, and it does not allow any movement, it transforms her, to a point, from being an active subject dominating the landscape into a passive object located in it." sais Hadas Maor at the text she wrote for the exhibition.