Friday, December 31, 2010

Sweeney Erect

Sweeney Erect And the trees about me,

Let them be dry and leafless; let the rocks

Groan with continual surges; and behind me

Make all a desolation. Look, look, wenches!

.

Paint me a cavernous waste shore

Cast in the unstilted Cyclades,

Paint me the bold anfractuous rocks

Faced by the snarled and yelping seas.

Display me Aeolus above

Reviewing the insurgent gales

Which tangle Ariadne's hair

And swell with haste the perjured sails.

. Morning stirs the feet and hands

(Nausicaa and Polypheme),

Gesture of orang-outang

Rises from the sheets in steam.

This withered root of knots of hair

Slitted below and gashed with eyes,

This oval O cropped out with teeth:

The sickle motion from the thighs

. Jackknifes upward at the knees

Then straightens out from heel to hip

Pushing the framework of the bed

And clawing at the pillow slip.

. Sweeney addressed full length to shave

Broadbottomed, pink from nape to base,

Knows the female temperament

And wipes the suds around his face.

. (The lengthened shadow of a man

Is history, said Emerson

Who had not seen the silhouette

Of Sweeney straddled in the sun).

Tests the razor on his leg

Waiting until the shriek subsides.

The epileptic on the bed

Curves backward, clutching at her sides.

.

The ladies of the corridor

Find themselves involved, disgraced,

Call witness to their principles

And deprecate the lack of taste

.

Observing that hysteria

Might easily be misunderstood;

Mrs. Turner intimates

It does the house no sort of good.

.

But Doris, towelled from the bath,

Enters padding on broad feet,

Bringing sal volatile

And a glass of brandy neat.

.

by T. S. ELIOT

Happy New Year

What we call the beginning is often the end And to make and end is to make a beginning. The end is where we start from.

'Little Gidding' by by T. S. Eliot Poems, "The Four Quartets"

Mark Rothko, Hierarchical Birds,1944

Mark Rothko, Hierarchical Birds,1944

Wim Mertens Many a one

Tuesday, December 28, 2010

Flagellation of Christ

what a A Maestro

Caravaggio_-_La_Flagellazione_di_Cristo

Michelangelo Merisi da Caravaggio Flagellation of Christ 1607 c. Oil on canvas 390 x 260 cm Naples Museo di Capodimonte

Monday, December 27, 2010

......

if you have time to chatter

read books

if you have time to read

walk into mountain, desert and ocean

if you have time to walk

sing songs and dance

if you have time to dance

sit quietly, you happy lucky idiot

- Nanao Sakai What Book!?: Buddha Poems from Beat to Hiphop

via whiskey river

Friday, December 24, 2010

Lola de Valence

René Magritte: Lola de Valence, 1948, Gouache on paper, 45,8 x 37,7 cm

René Magritte: Lola de Valence, 1948, Gouache on paper, 45,8 x 37,7 cm

via Theories of The Deep Understanding of Things and consciousness is a congenital hallucination and

and thingsmagazine

Mapping Gothic France

With a database of images, texts, charts and historical maps, Mapping Gothic France lets you explore parallel stories of Gothic architecture and the formation of France in the 12th and 13th centuries, and in other way, one can get lost in this Labyrinth of Knowledge and magnificante imageries of Gothic Churches,

spread-map of gothic franch

spread-map of gothic franch via steven green

Thursday, December 23, 2010

Wednesday, December 22, 2010

Fra Angelico Christus

Arnulf Rainer

Arnulf Rainer, Fra Angelico Christus, Oilstick, crayon, and colored inks on a photograph 1985,

Monday, December 20, 2010

bowrain

bowrain from steve roden on Vimeo.

bowrain is a sculpture/sound/film installation by steve roden. The piece was inspired by a small notational drawing by buckminster fuller. the sculpture is made of 480 pieces of work, constructed using chance operations. the sound and hand drawn film used the same 480 elements that determined the sculpture to form their compositions.

Body Flux

sara ludy

Sunday, December 19, 2010

Man Carrying Thing

The poem must resist the intelligence

Almost successfully. Illustration:

A brune figure in winter evening resists

Identity. The thing he carries resists

The most necessitous sense. Accept them, then,

As secondary (parts not quite perceived

Of the obvious whole, uncertain particles

Of the certain solid, the primary free from doubt,

Things floating like the first hundred flakes of snow

Out of a storm we must endure all night,

Out of a storm of secondary things),

A horror of thoughts that suddenly are real.

We must endure our thoughts all night, until

The bright obvious stands motionless in cold.

“Man Carrying Thing” by Wallace Stevens

Friday, December 17, 2010

On the Sublime - Tsibi Geva

This work by Tsibi Geva,(B 1951, works and lives in New York and Tel Aviv) evokes in me thoughts and sensations of transcendence. A beautiful geometric abstract representation of spirituality in our secular era.

Tsibi Geva

Tsibi Geva, Untitled 1997

Wednesday, December 15, 2010

Ester Schneider, Swan-Snake

Esther Schneider enchanted, captivating paintings have a spacial sensual qualities in them. They live in a sort of iconic mythical realm, that makes me, the viewer feel some sort of holiness in their presence. A flow of vitality and strength reside in them.

Ester Schneider

Ester Schneider,swan-snake,135x68 cm, ink and water colors on paper

Ester Schneider

Ester Schneider, candlestick descending a staircase, ink and water colors on paper approx 100x200 cm

Monday, December 13, 2010

Explosion

This photography walks the thin line between concrete place and an one. to me it evoke some kind of enchanted, malicious (yet hypnotizing and beautiful) "fleur du mal"

Joschi Herczeg & Daniele Kaehr, Explosion 1, lambda print. 2009

Joschi Herczeg & Daniele Kaehr, Explosion 1, lambda print. 2009

via territoire des sens

Sunday, December 12, 2010

Papillon D'Amour

Nicolas Provost - Papillon D'Amour

Saturday, December 11, 2010

Hilma af Klint

Hilma Af Klint

Hilma Af Klint (1862-1944) was a Swedish artist and mystic. She belonged to a group of artists called “The Five” that all shared a complex philosophical and spiritual understanding of the world. After about ten years of spiritual teaching Hilma af Klint was given the task to paint as a medium. Between 1906 and 1915 she created the Central work, also called The paintings for the Temple. It consists of nearly 200 paintings. Only a very limited circle of persons was allowed to see the paintings during Hilma’s life-time. In accordance with her wishes the paintings were not to be displayed in public until at the earliest 20 years after her death. Klint’s work is amongst the first in abstract art ( the painting above doesn't represnt her abstracts painitngs). Before she died she stipulated that her work not be shown for 20 years after her death. not until the turn of the year 1999/2000 was the Central work showed in its whole. This happened at the millennium exhibition at Liljevalchs art gallery.

Frank Sinatra - All The Way

my foolish heart

bill evans trio -

The night is like a lovely tune, beware my foolish heart!

How white the ever constant moon, take care, my foolish heart!

There's a line between love and fascination,

That's hard to see on an evening such as this,

For they give the very same sensation.

When you are lost in the passion of a kiss.

Your lips are much too close to mine, beware my foolish heart!

But should our eager lips combine, then let the fire start.

For this time it isn't fascination, or a dream that will fade and fall apart,

It's love this time, it's love, my foolish heart!

- "My Foolish Heart" (N.Washington, V.Young)

Wednesday, December 08, 2010

Colossus

Colossus is the name of Miri Chais's solo exhibition at the Shay Arye Gallery in Tel Aviv, {09.12.10 – 01.14.11}. In the installation a video stream flows towards the giant Colossus (3 meter tall) like “the river that issues from Eden to water the garden” [Genesis 2:10] of the Zoharic image of divine abundance or grace (shefa) which flows from ein sof (infinity) and enriches human reality.

However, unlike abundance in its enlightened, or spiritual sense, the river flowing through the exhibition is a river of excess. The Colossus is nourished by the ever-flowing stream of symbols and images, and yet remains gaunt and feeble. Miri Chais’ figures are full of images, yet transparent and insubstantial, like ghosts from cyberspace.

Miri Chais, The New New Men 1

Miri Chais, The new new man, Plexiglass, LED, 2010

Tuesday, December 07, 2010

Butler

By Ron Gilad, Born 1972 Tel-Aviv. Lives and works in New York City ron gilad

Butler No. 3Swiss pear, leather, corian 16 w x 11.25 d x 65.5 h inches

via its his and hers

Saturday, December 04, 2010

HUMANS

By Boaz Aharonovitch, an Israeli Artist, living and working in Tel Aviv.