Prayers For Prisoners
by Zero Cents, Prayers For Prisoners, spray paint and acrilic on paper, 2010. Zero Cents first solo exhibition will open next week, 5.3.2010, at Florentin 45 Gallery, in Tel Aviv.
Night Traveling, Day Dreaming, while Mapping my Escapisms, Tracing Love
by Zero Cents, Prayers For Prisoners, spray paint and acrilic on paper, 2010. Zero Cents first solo exhibition will open next week, 5.3.2010, at Florentin 45 Gallery, in Tel Aviv.
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The World Remembered (let's forget about the US for a moment) . ink on paper . 19 x 24 inches . 2007
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Marilyn Minter Chewy. Enamel on aluminum, 40 x 40 inches
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Jorinde Voigt's large scale drawings, i have seen first in a Berlin visit in 2008 at the fahnemann projects gallery nothing could prepare me for the magnificence of this huge in scale, yet so very delicate gestures so powerful movement capture of her drawing that day, and ever since it is a grand joy to rediscover new works by her (the image below, should have been horizontal, I've flip it in order to be able to see it in a larger view)
"Algorithmus Adlerflug/Elekrizität II" 2009 Bleistift auf Papier 115 x 250 cm
via butdoesitfloat
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Jack Kerouac. “NIGHT NOTES & Diagrams for ON THE ROAD.” Manuscript notes for the novel, November 1949. New York Public Library, Berg Collection, Jack Kerouac Archive.
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Labels: Books, illustration, map, mapping, Travel
Karen Kilimnik the Fiji Isles my underwater home2004water soluble oil color on canvas22 x 27 1/2 inches
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Urban Sketchers is a nonprofit organization dedicated to raising the artistic, storytelling and educational value of location drawing, promoting its practice and connecting people around the world who draw on location where they live and travel.
Beirut 2009 by Tommy Kane
via coudal
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this image is taken from a beautiful set of images titled 'Russian Fairy Tales'
in flickr, each image has it's ryme
Russian Fairytales - Aurora Art Publishers, Lenningrad, 1975 Illustrations by Alexander Kurkin (Palekh School) via miso
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Tadanori Yokoo, works done for a book called 幻花 by Japanese author Harumi Setouchi. via and
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Pavel Tchelitchew Hide and Seek: A Study, 1941
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The Jewish settlement in Grodno area most likely began in the 14th century when Belarus was part of the Litevanian monarchy. In 1569, as a result of a confederation between Poland and the Lithuania, Belarus (including the Grodno region) became part of Poland. In the period between 1569 and 1795, as a result of commerce in Grodno, Jews settled in the vicinity and developed well organized communities. During the 16th century the two small villages of Lunna and Wola (also spelled as: Wolla, Wolya and Wolie) were established on a typical agricultural plane surrounded on the east and south by mild hills.
The 1900 map of Lunna (the only existing detailed map) illustrates the center of the town as a circled square surrounded by residential and religious buildings. The Pravoslavic (Russian Orthodox) Church was located in the middle of the square. East of the church stood two synagogues (marked by two zodiac symbols). Nearby, there was a catholic church. The map also shows roads leading from the center of the town in four directions. Along the South-East road leading to Wolpa (11.4 kilometers) were the houses of Wola surrounded by small farms and a mansion (marked with a symbol G. db-Grazdansky Dvor) and a forest. The road toward the North crossed the Niemen River via a bridge and led to Skidel (15 kilometers). There were brick factories (marked by two symbols of Krip) at the North-West direction. At the South-West direction, there was a stream (marked as Wodotok). There were five cemeteries (marked by Ki - Kladbiszcze); two Christian cemeteries (marked by a cross), and three Jewish cemeteries located South-West to the Niemen River (the "old" and "new" cemeteries of Lunna and the cemetery of Wola.)
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Kate MccGwire Insular, 2008 50 Layers of paper, burnt77 x 57 x 1 cm
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Labels: map and art
Lhasa De Sela September 27, 1972 – January 1, 2010
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Jim Melchert, flip, graphite on broken porcelain
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Dawn of Spring, circa 1960's, Watercolor and charcoal on paper, 38 x 53 3/4 in
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Michael Bauer, Bad Harvest, 2008Oil on canvas, 160 x 130 cm via drawingsandnotes
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Karen Kilimnik,1996, Sugarplum Fairyland, oil on canvas, 45.5 x35 inchs,
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Sandrine Pelletier, Insekts series, Majeur - Plaster, resin, acrylic, nail polish, needles and thread
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Uwe Wittwer, Figurines, 2008, watercolour, 57 x 63 cm
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Ben Volta studio
As an artist / educator, works with others to conceptualize an art idea, and explore how each contributing participant might incorporate his or her unique vision into that idea.
Created in the education studios at the Philadelphia Museum of Art, the wallpaper artworks predominantly draw themes from the art and artifacts of three distinct regional cultures: India, Latin America, and China.
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adriana varejaom Musesm oil on canvas, 140x160, 1997
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Kathryn Rodrigues, Perfect from far away #1. 2004 8"x8" Gelatin plate Monoprint via radicalcartography
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Swiss artist Zimoun via new art blog
Zimoun : Sound Sculptures & Installations Compilation Video V1.5 from ZIMOUN VIDEO ARCHIVE on Vimeo.
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Nathalie Miebach's work focuses on the intersection of art and science and the visual articulation of scientific observations. Miebach’s giant warped baskets pierced by wooden dowels and balls are visual metaphors for the scientific measurements and observations that the artist has accumulated from different sources, Using the methodologies and processes of both disciplines, she translate scientific data related to astronomy, ecology and meteorology woven sculptures.
Twilight, Tides and Whales -Cape Cod ( February/ March 2006) Reed, wood, data, 30”x18”x20”, 2006 http://www.nathaliemiebach.com/statement.html
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'It is only through art that we can escape from ourselves and know how another person sees a universe which is not the same as our own and whose landscapes would otherwise have remained as unknown as any there may be on the moon'
Marcel Proust
via moonbeams8
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Labels: Art, Lines that make me ponder
Keer Tanchak, the opposite of revenge 2009 oil on aluminum 15.5x 20.5 inches
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Stan Douglas, Rooftops, Habana Vieja 2004 C-Print 125.1 x 142.2 cm
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Gems of pure beauty, found buried in a government website. and found at the radicalcartography web site
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Kim Jones Untitled (Detail view), 1996-1997-1998-2008, Graphite on paper mounted on wood panel, 23.25 x 51.5 inches for Full image
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MORGAN O'HARA, Movement of the hands of Conductor Riccardo Chailly while conducting the Concert gebouw Orchestra in Mahler's Symphony No 4. first movement Carnegie Hall, New York City 10 February 2000
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by jim dine
Lily Etching,Intaglio with Hand coloring on Silkscreen ,94 x 66 cm , 1998
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Daniel Zeller, Glitch, 2008, Ink, Acrylic on Paper, 19 x 24 inches
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via http://www.meganandmurray.com/page/3/
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